CREATIVE GRANT RECIPIENT #027: SEAN PRENTICE ->
in sepia
visiting Charleston
a rage swells for
dead painters
there is nothing here
that has anything to do with the likes of me
Duncan Grant
this was your funk hole
while my great grandfather
was at Ypres
riding dispatch
his wife at home already long suffering
they say she’d married below her
a master cabinet maker certainly but he preferred a betting slip
and a glass of milk stout with his idle friends
at the races
to the chisels and sawdust of his workshop
and you can see it in her face
and there at the bottom of the shoebox
there she is in sepia twenty years before
with a slip of a girl too bright to be related to
any family member living or dead
dressed too fashionably for these parts
the photograph seems out of place
placed by mistake
I want to warn you before it is too late
your little sister Sarah will marry well
see the world
die in Bexhill at a ripe old age leaving a small fortune
whilst you will stay put and not have two pennies to rub together
for your whole married life
fetching and carrying and doing for
your good for nothing husband with his private horde of pickled
walnuts under lock and key in the dresser draw
your eldest girl will crack living under his roof
the daily unthankled skivvying
and her suicide by drowning
will become a cautionary tale repeated
the wages of bad marriages to selfish men
reverse Virginia Woolf
without the poetry
Isaac Blackwell you old bastard how much of you do I have in me
or am I more the stones in the pocket kind
BY SEAN PRENTICE
POEM 4 OF 4
The 27th recipient of The Creatives Grant is Sean Prentice, a writer with a background in visual art and oral histories. Over email, the writer sent us a collection of poems that we felt in our gut. The poems seemed full of names from his own life, past and present. They were characterful without being patronising or coming off as a parody; characterful in a knowing, studied way that manages to captures the twang of someone’s personality in so few words. Sean has a background in visual art and oral histories, and much of his work deals with the intersections of class, disability, and place with memoire and personal biography as the starting point. All of that comes through with pure lucidity in the work, so be sure to follow Sean’s Instagram for more.
This grant used to be exclusively for writers but we recently opened it up to all working class creatives based in the UK. Please apply! + stay up to date here